Patintero volume 2 (kai castillo) [fl3]

Owen and the Red Flames have managed to prove they have what it takes. When a group backs out at the last minute, they suddenly have a way into Patintero Urban, more or less the X-games, underground league of the sport. But success is getting into Marco’s head, too many people are looking at blind player Owen with disbelief, and their first challenger the Chaos Bolts are a harder fight than they expected.

The big question now is: will the cutie Chester Okada now have commercial-modelling gigs?! You know, like for Gatorade or NIke or Bench, or picture articles at Esquire and Cosmo? ^^v

In a big leap of faith, Kai Castillo has dared to show the second part of the series immediately in TPR form, without initially creating individual folded-paper issues. The gamble has paid off. Because this is the only running sport komik (in contrast to the many fantasy, scifi, school-story, and zombie komiks), the rules are different for his running series. By deciding to go direct to TPR, he was free to develop a whole game, from its planning stages to its crucial final minutes, across the equivalent of three folded-paper issues, without disrupting continuity. Therefore, you keep reading and following the action as it unfolds, without wondering if you’re missing something because of lacking an issue. You can’t believe you’re following patintero like it were a tight basketball game: intense and unpredictable, even if you kinda hope the main characters will win the day.

Giving pauses where chapters stop and start are his versions of an important sports website for Patintero Urban. Do not skip them; read them because they give clues to undercurrents related to the running game. They are short enough not to wear out their welcome. That said, if the “website updates” will be continued, they should really be given a final grammar check before publication.

The rapid development of Kai’s art style also shows in this release. There are plenty of detailed action poses and more variations in “camera angles” all throughout. Inclusion of markers or paints to the heavy inking also adds more dimension to the art in general, especially in the second half. The main characters are also easier to tell apart, and enough repetition of the names in dialogue are given now (without overdoing it) so I can properly distinguish one from the other.

And you definitely know something great is being done here when you feel the fangirling mode coming on while reading. The crazy feelings you reserve for big manga or anime, for popular TV series. Owen is being so awesome! Chester is cute and so cool! Where do you get posters of Chester to put on the wall, please! When are we getting fanart! When are we getting, gasp, fanfic! The characters are latching on to us. It’s a good thing.

So keep it coming, sir. Give us backstories, give us game arcs. Keep it coming.

The CW180 comics rapid reviews [502 komiks]

(I’m sorry, I’m not sure if it’s 2.5 komiks or the komiks from room 502 or something else, so if I got it wrong please just comment)

Carljoe Javier managed to pull off probably the first formal comic-writing subject with units in the country. Several of the releases at the Indie Tiangge this year are the results. I managed to get four of them. (There are also probably other komiks related to this class but were released with other comic groups, but I am not sure.)

It is appreciated that the mentor allowed them to use whatever format and whatever art style they wanted, as long as they told a coherent story within the given parameters. Javier’s preference for the more alternative comic styles is palpable, but the individual creators were allowed to be themselves. The quality of either the production or the art reflected the newness of the creators and the involved artists (some are familiar names from UP Grail, many are absolute first-timers). However, the mentorship also gave the creators a proper sense of story structure within the comic form. Therefore many mistakes newcomers make regarding scripting, story pacing and panel presentation were corrected at earlier stages. It is hoped that the subject is allowed to continue, and that more writers would benefit from it.

Kapitan Bayaran (Joanne Cesario/Michelle Bacabac) — Albert suddenly has the power to read minds, and his dormmate Miguel sees a business opportunity in him. It’s all fine at the start, and extra money is good, but things suddenly turn ugly, and Albert finds himself in over his head. Both the story and the art style are deceptively simple, but both are unique. Both are rendered and paced well, such that it ends with a nice, bittersweet, satisfying ending. While steeped in the UP college culture, it’s relatable and fun no matter where you are from. It’s smart and bitingly insightful without being condescending. That fact is much appreciated.

Losing Center 1 (AJ Nuque/Clarisse Culla) — A young man arrives in heaven, only to find out that he has lost his heart and needs to find it back on earth before gaining acceptance. The authors promise more parts, therefore this just gives an introduction of the situation. That said, there is sufficient buildup of both the situation and the main character to get us interested and invested. Some of the dialogue was cramped into their speech balloons, and some of the rawness of the illustrations makes the comic half endearing and half annoying. But these are minor problems, and overall the comic is planned well, sufficiently sarcastic about religion without being insulting, and quite likeable.

Goons (Joey Pastrana/Mary and Hinchel Or) — Jesus Leon applies as a goon for Erik Vega’s Illustrious League of Villains, but it seems like everything he knows from the Henchmen manual is wrong, or everybody else is breaking all the rules. The whole thing is filled with jibes at the villain stereotypes, both local and international, and is therefore quite fun that way. But with someone on board this project who works with Gunship Revolution, I think I expected a more refined end-product (better typesetting, better scanning/GIMP-ping, somewhat better pacing), at least more evaluation from its seasoned people. That said, it was quite the fun read, hitting all the stereotypes without losing its sense of humor.

Candido’s Apocalypse (Nick Joaquin adapatation/Cyrene Ela/Natasha Ringor) — Everybody Bobby sees is naked to him. This, of course, makes him irritable, as if Pompoy Morel and his gang don’t have him irritable enough already, and ready to snap. This is based on a Nick Joaquin novella. (a nice summary and background can be found in the review here).. and if more of the Joaquin novels were given the comic treatment, there is a higher chance they will be read more by the non-literary crowd. The visuality of the comic medium strikes home the important aspects of the story, which then makes one interested in reading the original material. This is the strongest release among the output comics, and not because it is an adaptation. The paneling, artwork, and typesetting are all sharp and clean, well-detailed when necessary. The correct decision-making during scripting in what to put in and how emphasized the story well. Therefore the core text did not drag down the visuals, and visuals were used rightly when it would do it best. When nothing else would do, the core text was used and highlighted by itself on a blank black page, giving importance to the prose without losing the visuality. It was worth the added expense for a better final comic presentation, with a color cover and sharp printing/photocopying. I hope high grades were given.

Work In Progress 3 (pacheco/pavon)

Eli is starting to actually enjoy being a working young adult, but he still feels that something is missing in his life, and in the life of his friends. When pretty comic-geek girl Katie comes back in his life, he hatches a plan to both get her affection and to get a part of himself back: he would make an indie komik again. That is, make a komik from scratch, and sell at Komikon. However life is different and practical now, all of his friends have work, and it’s not so easy as it sounds.

It’s rather clear that the series is partly the author and illustrator thinking about the same problems in real life, and these are, partly, their answers to themselves. In its quietly light-hearted way, it addresses big questions and thoughts: Is money all that matters? Should we follow our dreams, or follow reason? Can we and should we do both? How much of our interests should we give up, in favor of practical needs?

In answering these, WIP shows us not just Eli grappling with his thoughts and choices about them. This instalment contrasts this with the individual responses of his friends. It is presented better as two or three stories are woven together, by letting the dialogue of one scenario proceed while showing the events in another. The individual choices are presented without necessarily favouring Eli’s (even if he is the lead). They are simply and pragmatically shown as the legitimate choices that they are. It is appreciated, though, how these varied choices are brought together toward a united decision.

The yellow palette is comfortable on the eyes, and emphasizes the increase in detailed line art now present in many of the panels. In general the art is coming into its own, showing its distinct style, clean and defined, expressive in both the quiet and emotional moments.

Overall Work In Progress is showing itself with continuing warmth and increasing depth, while retaining the light-hearted feel. We do want to see this barkada succeed, and for the comic team to keep this up.

Noodle Boy 1 (herras/pascual) [meganon/fl3]

Otaku boy meets cosplayer girl. Ramen-liking boy is interested in can’t-properly-cook-ramen-who-works-in-ramen-shop girl. Call-center-agent boy has been dumped before and is reluctant to love again. Clueless girl is new to being alone in the city, does want to have love in her life but doesn’t know how it will happen. But fate brings them together in the same apartment and the same interests. Maybe sparks will fly for them too.

The November Komikon release has the batch of 4-panel webcomic episodes that were part of NeverHeard, as well as new material, now formatted in page-type panels. The first part brings the boy and the girl together. The newer second part knocks them onto the same path, as the girl’s cosplaying ramen restaurant makes an appearance at an anime convention, with disastrous results.

I expected a story like this out of Tepai Pascual, who openly admits her roots in manga and anime fandoms. But getting a script this funny and this tongue-in-cheek from Paolo Herras (indie film world awesome person, prizewinner in several countries, etcetera, etcetera) is unthinkable. And because it’s unthinkable, it’s incredible.

The story works with a full awareness of the local anime fan culture, complete with an almost pitch-perfect rendering of your usual anime convention. It maintains that awareness of being Pinoy, without trying to be something it is not (which is the common mistake of younger manga-style creators). But it takes the view of young adults coming to terms with the fact that youthful interests have to merge with grown-up practicalities. Therefore it is a more mature story compared to its contemporaries, even as it maintains its lightheartedness.

It does derive plentifully from manga tropes, but as has been mentioned before, at this current stage of her art Tepai is now past imitating. She is now highly original, yet remembers her roots. So the irony of the art is clear and understood for what it is, adding humor to the situation. This combination of heart, humor, sarcasm, and insight makes the work highly likeable and interesting, even if it keeps the course of the boy-meets-girl story.

I want a TV movie, or at least an indie short film, please. If that isn’t happening, waiting for more of this boy-meets-girl story with a twist can’t be a bad way to spend time until Summer Komikon, yes? Because more hilarity, more fun, and more crazy geeky romance is expected of this series, and we want to know more!

Talaan ng Alaala ng Digmaang Salinlahi (jon zamar/various awesome artists) [point zero]

In the hundreds of years of existence there have been intermittent wars between humans and engkanto. Because of politics within the council of leaders among humans, the new war begins, fuelled by misunderstandings and misinformation. Among the key leaders of the engkanto in Kahilwayon is Idaranggian, a powerful warrior who wants peace, but has to keep up appearances. Stuck in the middle of the human politics in Komara Mantapoli is Suleiman, son of one of the key leaders, and wanting peace instead of power. But the fate of both peoples are controlled by a whole cast of characters, (purebloods on both sides, half-breeds on either side, purebloods on the opposing sides of their races, childhood friends now enemies, and key individuals with special native powers), all with various motives and intentions that could either destroy or save them.

The 390-page hardbound volume is the definitive collection of the Digmaang Salinlahi series, arranged in story-based chronological order (not strictly the order of release). If you have the earlier compilation, I will still encourage getting this one, which collects the newer releases of the Bayanihan Center Komikon years. It was a good risk taken, for the collection is worth its price, as it is now nearly impossible to collect the individual releases made across ten years.

Within these many pages are some of the best work of the second generation of indie komikeros (if we consider Gerry Alanguilan and Alamat the first generation), an epic labor of love among friends and comrades across many years. Almost all of the artists cited (Keso, ‘Taga-Ilog’ Melvin Calingo, Jhomar Soriano, Judd Abinuman, JM Valenzuela, more recently Mel Casipit, and others) have moved on to international professional work partly on this awesome portfolio, and/or have used skills learned from the international markets to make this work more awesome.

As previously noted, the diversity of awesome talent, all with original art styles, sometimes makes individual characters difficult to recognize across the chapters, even if they all follow the same character sheet. But since the story is given in chronological order in this compilation, the variations are easier to understand, and it is easier to know who is who.

The presentation in story-chronological order also gives you a sense of the ten-year history of the series, for the quality of individual chapters varies depending on the year it was created, thus demonstrating both Jon Zamar’s and the particular artist’s stage of improvement. For instance, the first created chapters, positioned in the middle of the book, show less refined (but still awesome) work by Taga-ilog, as well as somewhat-uneven (yet already awesome) script pacing from Jon Zamar. The last, most recent chapters show the developed current style Mel Casipit uses, and the more even script pacing from the author.

Having the series in close succession also shows you the scope of Jon Zamar’s imagination, creating this world that is completely Pinoy without being derivative, while being detailed and developed. All the characters are interesting and well-made, with motives that are understandable and convincing, with doubts, fears, and convictions. The main character, however, is the conflict. While there are lead characters, none of them particularly stand out above the overall situation. Rather, major characters are given even airtime within the story. Both sides of the conflict are presented fairly, showing the good and problematic evenly. This overall creates a story worth following. It’s actually good enough to be created into a local television miniseries.

The use of Tagalog in the series is lyrical and expressive, used by an author highly familiar and comfortable with it, making you appreciate the beauty of the language. The words are deep, but none of them are used in a clunky manner. All the dialogue runs smoothly and never feels forced, even if the sentences are long and the words sometimes require a mental Tagalog-English dictionary. This makes reading through Digmaang Salinlahi rather slow going for someone better at reading English, but rewards you for the effort.

One wishes the covers of the individual releases were replicated for the compilation (many were, but not all). Also the compilation is in black and white, thus the incredible coloring that happened for some of the releases are lost. But these are minor setbacks compared to having the whole story available in one place.

Overall, if you want to sample some of the best komikeros of the Culture Crash and early Komikon years, telling an incredible, distinctly Pinoy story by a major proponent of the indie komiks era, invest in this volume. It is properly a part of local komiks history, and shows the massive potential of the movement.

story: Frozen Delight

This unworthy komik ninja is respectfully inviting to the launch of two books: Horror: Filipino Fiction for Young Adults, and Demons of the New Year: An Anthology of Horror Fiction from the Philippines.

“Frozen Delight” is included in the first mentioned anthology.

Information here and here.

Bathala Apokalypsis 1-6a (hontiveros/enriquez) [alamat]

Twins Andrew and Leonard Carreon hold the world in the balance between them. Andrew is the international superhero Bathala, while Leonard’s interwebs personality is allied with the alien force trying to take over the world. Between them, the cultish militaristic organization pulling the strings on the ground, and the powerful angels also trying to take over the world, Apocalypse is totally here.

The first thing that hits you is the simple unnerving that this is NOT Superman, that it’s set with the Philippines in the center of the action (instead of the margins). It first strikes you as strange, since you’re so used to your comic heroes coming from either the States or Japan. Then it overwhelms you as awesome. A powerful entity, being looked up to by the entire planet. And it’s not Manny Pacquiao. Wow. It’s strangely empowering, oddly inspiring. The story is grounded on the Biblical/Hebrew concepts of apocalypse, and yet it is given a unique Pinoy twist, without it being overly bogged down by becoming too nationalistic. The simple fact that such a Middle Eastern concept is being played out on our shores, with our countrymen being the main controlling forces of change (not the Americans, not the Chinese), is quite the feat.

The story is played on both a grand scale and a personal one, such that family ties have the potential to affect the entire planet. Meanwhile, these strong forces themselves have personal impact of the people loved by the main characters. Andrew’s actions as Bathala may affect his girlfriend. Personal misunderstandings between Andrew and Leonard have the potential to destroy the world. Andrew’s bitterness against not being told everything about himself colors his choices. Leonard’s jealously at never being the favorite clouds his judgment. Both things sometimes make them decide in wrong directions, which creates impact on millions of lives on the ground. Andrew’s humanity may possibly weaken his chances against alien forces and strong angels. The fine balance of these aspects makes the story epic and relatable at once.

The tale is grim and dark by its very nature, and yet it has a lot of moments of well-placed action and drama, and some moments of sarcastic dialogue exchange. The action is paced at just the right speeds to let us see the overall worldwide impact of the situation, as well as to get us acquainted with the major players. The fact that it is presented with some awesome detailed line art, one that has understanding of both modern and semi-classic comic styles, makes the work every more powerful.

David Hontiveros is better when his words are distributed in speech balloons, given out in small blocks of text, and presented as illustrations (incredibly and very capably by Ace Enqriquez), rather than when they are paragraphs and paragraphs of words (which are good, do not get me wrong, but do get wearying after some time). This long story is one proof of this, a great testament to his imagination, concept-building, and character-creating, without getting bogged down by too much rhetoric.

Overall this is one of the strongest releases by Hontiveros for Alamat. Two to three more releases are expected to complete the seven-part saga, and you cannot help but root for both Bathala and for his creator.

Mythspace: Liftoff 3 and Unfurling of Wings (paolo chikiamco / various artists) [rocket kapre]

Once again the awesome author/publisher Paolo Chikiamco has been nice enough to give us a preview of the Mythspace releases this November Komikon.

Again, Mythspace is a group of one-shots and multi-issue comics that are based on just one worldbuild filled with planetary kapres, tikbalang, nuno, and mananggal, plus humans, and illustrated by some of the current best in the indie komiks business.

The last two of this current set will be coming, and both are reviewed here.

Liftoff part 3 (illustrator Koi Carreon)

Bros manages to survive the direct attack on his life, mostly due to a mysterious something that latches on to him, and well-prized by the planetary factions. However he has to rapidly find out what the thing can do, because he may not be able to keep his second life for much longer. Also, he has new allies among his former enemies, whose lives are also in immediate danger.

Much of the incredible space-fight art that made Koi memorable as a komikero is in full view in this final instalment. So much understandable, well-choreographed, well-defined panel art is everywhere, making your heart pound at all the right moments.

Of course it helps that even if you can’t remember or don’t know the names of the main characters, you are given a clear picture of their personalities, making them relatable despite being renegades, bounty-hunters, and wanderers. Therefore when terrible things happen, or threaten to happen, you want to root for all them, not just the human.

The finale is nice, clean, and very distinctly Pinoy, leaving you satisfied and glad you finished all three instalments, and yet wanting more.

Unfurling of Wings (illustrator Borg Sinaban)

Introduced in the Mythspace preview, this one shot is being released only now in the third batch. It was worth the wait.

Can’t-seem-to-fly tan’gal (manananggal) Ri-en, geeky human Books, and tough nuno Zo are all orphans trying to survive on the residential space station Tangent, by hook or by crook. They overhear plans of a high-level Tan’gal to acquire a legendary something. The teenagers mount the totally insane but totally smart plan to outwit criminal masterminds and steal the legendary something for themselves. Why even try? It may be their last chance to save their father-figure Ka-ang from his core nature.

A portion of Unfurling of Wings only makes full sense after reading an info-dump in Liftoff Part 3, so it’s best to probably acquire them both. A small part makes better sense if you have read Humanity. This is both the strength and weakness of the Mythspace stories: each depends in some way on the others for full comprehension.

That said, as a stand-alone story Unfurling of Wings is a wonderful one-shot work, which comes in with good pacing, introduces everyone with good timing, then leaves at just the right moment. Within nearly 40 pages of material is enough story to make us relate with Ri-en and her friends, understand her world and situation, and give us a foolhardy jewel heist. In short, all awesome.

Since the work is also made for an older audience, Borg Sinaban’s skill at both well-made foregrounds and well-detailed backgrounds are on display, better than in the Pilandok comics. Emotions are clearly expressed, high-action pages are executed understandably. All this, without ever overwhelming any of the panels, showing enough detail but with sufficient restraint, all for the purpose of best delivering the story.

Overall, yes, go find the Rocket Kapre table on Komikon day and find the two new releases, and get the other earlier ones if you haven’t. This is solid, strong work by a great author in his element and in his full form, in tandem with some of the great artists Komikon has revealed. No matter your inclination in your komiks, you can’t go wrong with this series.

Project 17 (eliza victoria) [visprint]

First disclaimer: I’m still on hiatus.

Things that blow me away out of the water have a chance of sometimes getting me out of temporary hiatus.

Immediate disclaimer: this is NOT komiks, but generally it’s found where Trese, Zsazsa Zaturnnah, and other Philippine fiction is lumped together in the bookstore.

Lillian just wants money for rent and Candy Stripe, so despite misgivings she agrees to be the babysitter for Caleb Dolores, who is 28 years old but with schizoaffective disorder. The money is good and the brother Paul is not a bad sort, so it’s all well and good. But in a Philippines (Bulacan and NCR) in the near future, where Sentrys are robots, and Big Pharma controls more things than they really should, Lillian and her ragtag barkada stumbles into a dark secret hidden by the brothers, which opens more and more, dangerous, life-hazardous secrets.

Eliza’s forte is giving the ordinary a weird and often scary twist, and this comes out very well here, especially considering that this is her second solid attempt at a long story (after The Viewless Dark). We are quickly immersed in 2028 Bulacan, Manila, Quezon City, and Makati, a place that is strangely familiar yet different, a mix of the old and the new, in the way we Pinoys are very used to. This is then mixed with death and murder, lots of newspaper clippings and twitter feeds, and hacking, and several scientific-but-weird things, and you have an awesome scifi cocktail coming from a emerging master of urban fantasy.

Very Pinoy traits permeate this story, even if it is fully in English: the way characters salvage old things to make new ones, our stubborn you’re-not-hiding-anything-from-us-ness, the way we work best in a barkada rather than alone, the way family comes first no matter how messy that family is, the way barkada becomes second family in a way that is hard to break. Therefore Project 17 resonates on a local level, but in a way that is fully understandable internationally.

Lillian, the main character, is a spunky and dedicated character, an unconventional, young, but effective detective in this story of unraveling scientific secrets. The way she does not accept things at face value, and always with political suspicion, is something most Pinoys learn to have, and she naturally has it without it ruining the kindness in her core character. Her friends are also likeable in their own special ways, and they grow on you as the story progresses. Even Paul and Caleb are presented well, with their personalities and secrets spread out nicely through the work.

On a personal level, this unworthy one is impressed not so much by the high-tech robots, desktops, laptops, and hacking in this story. She is most believably impressed by the close research and fact-checking that happened for Caleb’s medications and clinical presentation. The medications are correct. Their uses as given are correct. The clinical presentation is pretty good coming from one without a medical background. A weaker author, one without her journalism background, would have made many errors, that would have brought psychiatrists, former and current patients, and the relatives of such patients, complaining to Visprint. But they have nothing to worry about. Mental illness is presented in this work with honesty, but without malice. While it was used once to create a shock factor in the story, it is appreciated that that particular scene was not over-emphasized. Rather, it was used to demonstrate the effects of the Project on the person, rather than scaring readers about a person with a mental illness.

The tension in the story was maintained, even tightened as it weaved the various strings into one coherent whole toward the conclusion. Many comic and sarcastic exchanges between Lillian and her friends kept the story light during the heavier moments. The conclusion was rather too convenient, and some places were too cleanly resolved with info-dumps, but the getting to that conclusion was fun, unpredictable and grimly hilarious in the way only this crazy awesome author can pull off without a hitch.

So. I hear people have been looking for the science fiction novel in English from the Philippines. You have the first one among the new generation, right here.

Go forth and find, and read, and spread the good tidings of great joy: The science fiction novel from the Philippines is now here.